The selection of Claire Tabouret highlights a trend towards integrating contemporary art into historical sites, aiming to create a dialogue between the past and present.
The decision to replace significant historical stained glass with contemporary works raises questions about preservation versus modernization in cultural heritage sites.
The theme of Pentecost chosen for the new windows reflects a desire to convey messages of unity and hope amidst contemporary global challenges.
The installation of Tabouret's stained glass windows may set a precedent for future artistic interventions in historic sites, potentially influencing how cultural heritage is approached in the modern era.
The anticipated appeal by the Sites and Monuments association could lead to further discussions about the balance between contemporary art and historical preservation in iconic landmarks.
The Notre-Dame Cathedral in Paris will feature new stained glass windows created by renowned French artist Claire Tabouret, selected through a competitive process initiated by the Ministry of Culture. The decision was announced jointly by the Élysée and the Archdiocese of Paris on December 18, 2024. Tabouret, 43, will replace the stained glass windows in six of the seven bays of the south aisle, originally designed by 19th-century architect Eugène Viollet-le-Duc, with contemporary works that reflect the theme of Pentecost.
The project, which aims to integrate high artistic quality with architectural harmony, is set to begin with six months of study followed by approximately 18 months of actual creation. The installation of the new windows is expected to be completed by the end of 2026. These new windows will represent about 5% of the total stained glass area in the cathedral, which contains pieces dating from the 12th to the 20th century.
Claire Tabouret expressed her excitement about the project, emphasizing the importance of creating art that fosters unity in a time of global conflict and division. Her works are recognized internationally and have been acquired by major museums in France, the United States, and China. However, the project has already faced controversy, with the Sites and Monuments association indicating plans to file an appeal against the decision.
