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Humanoid Robot Ai-Da's Artwork Sells for €1.2 Million at Auction

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Ai-Da, the world's first humanoid robot artist, made history by selling her painting 'AI God' for €1.2 million at a Sotheby's auction, surpassing estimates and raising questions about the role of AI in art.


Humanoid Robot Artwork Breaks Auction Records

In a groundbreaking event for the art market, a painting created by Ai-Da, the world's first ultra-realistic humanoid robot artist, has been sold for €1.2 million (approximately $1.32 million) at a Sotheby's auction. This sale marks a historic milestone as it is the first artwork by a robot to be auctioned, exceeding its estimated value of between €140,000 and €180,000 by a remarkable eight times. The artwork, titled 'AI God,' features a portrait of the renowned mathematician Alan Turing, inviting viewers to contemplate the ethical and societal implications of artificial intelligence (AI).

The Significance of Ai-Da and Her Work

Ai-Da, designed by Aidan Meller, is equipped with advanced technology, including cameras in her eyes and bionic hands, which allow her to create paintings and sculptures autonomously. Meller emphasizes that great artists throughout history have reflected on their times, celebrating and challenging societal changes, a sentiment echoed in Ai-Da's work. The robot artist articulates that the core value of her creations is to stimulate dialogue about emerging technologies and their impact on society.

Alan Turing's Legacy in the Age of AI

The portrait of Alan Turing not only honors his contributions to computer science but also highlights his concerns regarding the potential future of AI, which he addressed as early as the 1950s. Meller notes that the 'dark tones and broken facets' of Turing's portrayal symbolize the challenges he foresaw in managing AI. As Ai-Da's artwork prompts questions about the direction of AI and the global race to harness its power, it positions itself at the intersection of art and technology, reflecting contemporary anxieties and aspirations.

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Refs: | Le Figaro | Le Parisien |

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