The book critiques the phenomenon of 'happy literature' in Tunisia that avoids addressing societal issues.
Al-Basoumi's work connects historical literary references with contemporary political discourse, highlighting stagnation in thought since the 1930s.
The author aims to dissect the Tunisian identity and societal failures through a blend of satire and cultural commentary.
Al-Basoumi's book may spark renewed discussions about the role of literature in addressing social and political issues in Tunisia.
The exploration of Tunisian identity could lead to a cultural renaissance as more writers engage with these themes.
Increased interest in the historical context of Tunisian literature may encourage new generations of writers to challenge the status quo.
Journalist Shukri Al-Basoumi's new book, "TUNISABLES: Digging into the Conditions and Fluctuations of the Tunisian," published by Dar Washma, critiques the state of Tunisian literature and society. The book addresses the long-standing issue of "happy literature" that avoids confronting the harsh realities faced by Tunisians. Al-Basoumi highlights the struggles of writers like Chebbi and Kamal Al-Zaghbani, who faced persecution for their honest portrayals of society. He draws parallels between the past and present, discussing the influence of historical figures like Ibn Khaldun on contemporary discourse and the stagnation of political thought in Tunisia. Through a mix of satire and cultural critique, Al-Basoumi explores the complexities of the Tunisian identity and the societal challenges that hinder progress. The book serves as a platform for diverse voices, reflecting on the collective Tunisian experience while questioning the reasons behind the nation's postponed pursuit of happiness.
