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Venice Film Festival: Stars Shine Bright as El Jockey Explores Identity and Reality

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Experience the magic of the Venice Film Festival as stars like Michael Keaton and Winona Ryder grace the red carpet while Luis Ortega's El Jockey captivates audiences with its surreal exploration of identity and reality.


Since August 28, Venice has been alive with the magic of cinema as it hosts the 81st edition of the Venice Film Festival. This prestigious event has attracted a constellation of stars, including the cast of Tim Burton's iconic film, Beetlejuice. During the opening ceremony, actors such as Michael Keaton, Winona Ryder, and Jenna Ortega graced the red carpet, showcasing their charm and talent. Notably, Ortega, the young star of the Netflix series Wednesday, expressed her admiration for Ryder, calling her a mentor. This sentiment reflects a shift in the dynamics of celebrity culture, where the new generation is increasingly vocal about their relationships with established stars. Ortega's gentle reminder to Ryder during a photoshoot, urging her not to comply with photographers' demands to remove her sunglasses, symbolizes this evolving power dynamic, where younger actors seek to take control of their public image and choices.

On the cinematic front, Luis Ortega's film El Jockey has captivated audiences at the festival with its surreal exploration of identity and the nature of reality. The film follows Remo Manfredini, a jockey facing self-destruction and an identity crisis, who embarks on a transformative journey after a life-altering accident. Ortega, inspired by a chance encounter with a homeless man in Buenos Aires, crafts a narrative that challenges conventional storytelling and delves into the complexities of human existence. The film's themes resonate with the festival's focus on artistic innovation, showcasing how personal experiences can shape profound cinematic narratives. The collaboration between Ortega and his talented cast, including Úrsula Corberó, highlights the emotional depth and transformative power of storytelling in cinema.

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Refs: | Clarin | Le Figaro |

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