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Thomas Jolly Advocates for Cultural Legacy with Major Show at Paris 2024 Olympics

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Thomas Jolly proposes a major cultural show for the Paris 2024 Olympics to enhance the event's legacy, while defending his artistic choices against criticism regarding religious representations.


Thomas Jolly Proposes Major Cultural Show for Paris 2024 Olympics

In a significant move to enhance the cultural legacy of the upcoming Paris 2024 Olympic Games, Thomas Jolly, the artistic director of the Olympic ceremonies, proposed the organization of a large-scale show for the public. Speaking before the Cultural Affairs Committee of the National Assembly, Jolly emphasized that this event could serve as a vital moment for the French populace. He stated, "A great spectacle offered to the population, wouldn't this be the moment?" This proposal comes as part of a broader discussion about the cultural legacy of the Olympics, particularly with the date of July 14 being mentioned as a potential highlight.

Jolly also called for a renewed focus on cultural policy in France, lamenting the lack of cultural discourse in election campaigns. He pointed out that historically, great powers have leaned on culture to unify their nations. He advocated for a comprehensive effort to rekindle the French people's interest in culture and theater, especially in rural areas, asserting, "Being able to go to the theater is a field to invest in, because the desire is not extinguished. When it exists, the French know how to seize it."

Defending Artistic Expression Amid Controversy

Amidst the preparations for the Olympic Games, Jolly faced scrutiny regarding the opening ceremony scheduled for July 26. Some conservative and far-right voices criticized the artistic representations planned for the event, including depictions related to the Catholic faith, such as the beheading of Marie-Antoinette and a portrayal of the Last Supper. Jolly defended his artistic choices, stating, "You are the only one talking about it," in response to a National Rally member's concerns. He expressed disappointment over what he described as erroneous interpretations that could incite hatred.

He argued that his intention was not to mock religion but to celebrate French culture, highlighting that a significant portion of the population appreciated the opening ceremony. Jolly concluded by condemning divisive rhetoric, insisting that true political engagement requires a commitment to unity rather than fostering division.

Clam Reports
Refs: | Le Figaro | Le Parisien |

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